Venice Beach Brothers

JUNE 11, 1977 ~ 10:30 P.M.

 

It doesn't matter as much now to me what time of the day it is when I write; I've changed my eating and sleeping hours anyway, and so 10:30 is much later now than it used to be; thus I am very sleepy and should be.

Nine thirty was feeling terribly sad and hoping for sympathy --I had so much sympathy and understanding to give in return. Alas, there was no one suitable --I don't want to worry and bother people, and I don't want them to worry unnecessarily over me. Noises in the house were becoming unbearable, and I wanted to go to Temple with Daddy.

Daddy, Daddy, I'm so small and young again --nice to awaken from the nightmare of the future; I hope it somehow doesn't come true. Daddy and I got into the car and drove off, and I stared quietly out the window. Four years old (nearly five) ; I am calm and patient for my age. Is that really my daddy? He looks too big and too old. I want my mommy. I never can forget her. She always looks the same.

"Did you see the fox, Larry?"

The car turned to the left ditch whither the fox had gone.

The big bright yellow sign in the middle of the road had the letters
"D ET O U R" on it and an arrow pointing to the left (I have my watch on). There were lots of strange flashing yellow lights lighting up the dark ditches in a hypnotic order --scattered, unordered order.

We drove through the winding streets of Oenaville or some other little town I'd been to that had houses lined on both sides of the road and a few scary bridges that crossed over deep rivers of black waters. We almost met a car on a one-lane bridge. Then suddenly I heard a noise begin. It was a mixture of a Nazi siren, the ice cream truck, and the street cleaners from CAMINO REAL*. The street cleaners were after me. They wanted me because I was small and helpless. The noise of them grew steadily louder until I must have screamed and fainted. I didn't lose all consciousness --my eyes didn't close. Meanwhile the noise continued to grow louder, but I was able to hear only brief, fairly regular, spasmodic snatches of it as my hearing went off and on. I knew I was blacking out --my fear surfaced, and I started crying. Even after the noise began to grow fainter I remained terrified. The car stopped or slowed down, and the changes in speed and the curves added to my dizziness, as I was vainly trying to regain full consciousness. For a while I was wedged in between two states, but I tended to keep falling down to the lower, darker one. The road was shiny and black and so unsmooth. I gasped for breath and said some words which I didn't hear, but which I saw in a balloon coming from my mouth. I'm not sure the words were right --I couldn't read them.

The sky was black and blue; my hair was brown with black lines in it, and my whole body was surrounded by a black line which formed my outlines, and which cut through my ties to other objects. I was on a page in a comic book -- one which I was writing. I knew that all the comic books I'd seen had happy endings, but I was writing this one, and not everything I write has a happy ending. I sensed tragedy: everyone on my page was sad.

Daddy said roll down the window to get fresh air, and I did, but I was weak and becoming weaker and had almost given up hope. I would die, I decided, if I lost consciousness --if I go to sleep I won't wake up, and the rest of my life will be dreams --but to fight made me weaker and less conscious.

The cool night air and the bright stars in the black sky revived me and breathed new air into my lungs. But something died.

It was no longer 1962, but 1977. We would go back. I would not forget completely my glimpse into the future, but I was too young to remember everything. Temple and Troy had changed --buildings sprang up to be torn down and built again. We watched several years pass in several minutes. What? Are we stopping in 1977? Strange; odd year to pick. We should have skipped it. Aren't we going back now? How else will we live the lost years between 1962 and 1977 that we ran through in those few minutes? Besides, I wanted to change some things along the way.

Suddenly we're nowhere. We're not going anywhere, and we're not staying still. Somewhere an artificial light shines through a pattern of misarranged holes. The bell tolls. Slowly, and I alone hear it. Someone else may see it. The bell is telling me the time, but I can't remember whether I last went forward or backward, and so I cannot know what it means.

I realize now I am in the middle room. I was either here before or knew that I would be here. I see two worlds (or more) on opposite sides of me. I am in the most unstable place, but I am in a place even if I don't stay still. I rather drift. I am not going to go back to retrace my path --that would be as impossible as trying to trace with my pen over everything I've ever written. Some of the things don't even exist anymore. I may cross over paths I've travelled before, I may travel closely along previous paths, but I am travelling very quickly and am covering great distances, and so it seems likely that I should cross myself.

It is after midnight now, and so it is actually tomorrow. Tomorrow is existing in the present now because today is yesterday. It will not be today until I have gone to sleep and have woken.

______________________

* CAMINO REAL - a play by Tennessee Williams, in which the streetcleaners come in the middle of the night, making strange hypnotic sounds as they sweep anything dead or decaying from the streets.

Back ] Home ] Up ] Next 

These pages Copyright © 2001 Venice Beach Brothers. E-mail comments or questions to Lars.